Punish and subdue the wicked, but give wings to the one who does good.- Vazha-Pshavela
Punish and subdue the wicked, but give wings to the one who does good.- Vazha-Pshavela
The quote by Vazha-Pshavela, "Punish and subdue the wicked, but give wings to the one who does good," emphasizes a dual approach to moral and societal justice. It underscores the importance of addressing wrongful acts firmly while simultaneously encouraging and uplifting virtuous behavior. The first part, "Punish and subdue the wicked," suggests that those who commit wrongdoings or engage in harmful, unethical behavior should face consequences for their actions. Punishment serves as a deterrent to discourage individuals from engaging in such behavior and as a means of protecting society from the harm that the wicked might cause. Subduing the wicked implies not just punitive measures but also ensuring they are constrained or prevented from causing further harm. This can involve rehabilitation efforts to correct such behavior and promote social harmony. The second part of the quote, "give wings to the one who does good," highlights the importance of recognizing and promoting positive actions. To "give wings" suggests empowering and enabling generous or virtuous individuals to continue and expand their beneficial impact. This can be achieved through encouragement, recognition, and providing resources and opportunities for those who do good. Such support not only reinforces the value of virtuous behavior but also inspires others to emulate it. Together, the two parts of the quote advocate for a balanced strategy in handling moral conduct. It is not enough to only punish the wicked; society must also actively uplift and support those who contribute positively, fostering a culture that values and perpetuates goodness and virtue. In this way, the quote promotes a vision of justice that is fair and nurturing, aiming for the overall progress and well-being of society.
Quote By: Vazha Pshavela
Vazha Pshavela, born on July 17, 1861, in the village of tsebelda in the Pshavi region of Georgia, stands as one of the most celebrated figures in Georgian literature. His real name was Luka Razikashvili, but he adopted the pen name Vazha Pshavela, which reflects his deep roots in the Pshavi culture and geography. Pshavela's upbringing in the mountainous, rugged terrain of Georgia greatly influenced his literary themes, which often explored the intertwining of nature, folklore, and the human experience.
Vazha Pshavela's works are characterized by their rich imagery and profound philosophical undertones. He began his literary career in the late 19th century, and his contributions to Georgian poetry and prose are both vast and notable. His most famous works include "The Madman", "The Snake Eater", and "Aluda Katamadze", which reflect the struggles of individuals against societal and natural forces. Pshavela’s poetry often highlighted the themes of sacrifice, honor, and the deep connection between humans and nature, revealing a narrative style that blends realism with lyrical beauty.
Despite the challenges of his time, including political tumult and social change in Georgia, Vazha Pshavela remained dedicated to his craft, continually drawing inspiration from his homeland's traditions and the philosophical questions of life. His distinctive voice and perspective made him a crucial figure in the Georgian Renaissance, a period marked by a revival in national identity and cultural expression.
Pshavela’s impact on Georgian literature extends beyond his own writings; he has inspired generations of writers and poets who followed. His legacy is celebrated not only in Georgia, where he is often referred to as one of the nation’s greatest poets, but also in the wider literary world. Vazha Pshavela passed away on July 10, 1915, but his works continue to resonate with readers, symbolizing the rich cultural heritage of Georgian literature and the enduring human spirit. Today, Vazha Pshavela remains a revered figure, embodying the struggle and beauty of the human experience through his powerful storytelling.